Skip to main content

Peter Milton Art

American, b. 1930

Peter Milton was born in Pennsylvania, he studied at VMI and completed his BFA and MFA at Yale University under Josef Albers and Gabor Peterdi. From 1961–68, he lived in Baltimore, where he taught at the Maryland Institute College of Art. During this period he took an avid interest in printmaking. Over 50 years, he created intricate visual worlds in more than 130 prints, many of which took over a year to make. Elements of Greek mythology, classical music, art history and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. His work is in over 200 collections including; the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Brooklyn Museum, New York; Fogg Art Museum, Harvard University, Massachusetts and the National Gallery of Art, Washington DC.

to
29
3
10
23
6
4
7
3
9
6
Overall Height
to
Overall Width
to
12
7
2
19
7
6
6
5
4
4
4
3
3
3
3
3
3
3
3
2
2
2
2
17
12
1
4
4
6
29
7,006
3,377
2,513
1,212
21
17
4
4
4
Artist: Peter Milton
SIGHT LINES III: ECLIPSE, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
ECLIPSE was born out of Milton's interest in the photographer Eugene Atget. Work on the image went through many transformations and reversals, until finally settling on Atget's Pari...
Category

2010s Contemporary Peter Milton Art

Materials

Digital

Points of Departure II: Nijinsky Variations
By Peter Milton
Located in Middletown, NY
Points of Departure II: Nijinsky Variations Robert E. Townsend, 1996 Resist-ground etching and engraving on BFK-Rives paper, 24 x 38 inches (618 x 965 mm), full margins. Signed, ti...
Category

1990s American Modern Peter Milton Art

Materials

Etching, Engraving

Interiors IV: Hotel Paradise Cafe
By Peter Milton
Located in San Francisco, CA
Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...
Category

1980s Realist Peter Milton Art

Materials

Etching, Paper

Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category

1970s American Modern Peter Milton Art

Materials

Engraving, Archival Paper, Etching

Mornings with Judd (Second state)
By Peter Milton
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category

1970s American Modern Peter Milton Art

Materials

Engraving, Etching, Archival Paper

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern Peter Milton Art

Materials

Etching, Engraving

Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category

1990s American Modern Peter Milton Art

Materials

ABS, Charcoal, Engraving, Etching

Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category

1970s American Modern Peter Milton Art

Materials

Engraving, Archival Paper, Etching

INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category

1990s Peter Milton Art

Materials

Etching, Engraving

INTERIORS IV: HOTEL PARADISE CAFE.
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS IV: HOTEL PARADISE CAFE. Milton 110. Resist-ground etching and engraving on copper, 1987. Edition of 175. Signed and dated in pencil. P...
Category

1980s Peter Milton Art

Materials

Etching, Engraving

TWO FROM CHARLIE
By Peter Milton
Located in Portland, ME
Milton, Peter. TWO FROM CHARLIE M.48. Lift-ground etching and engraving, 1967. Edition of 75. Signed, titled, dated and numbered 49/75, all in pencil. 9 x 6 inches (plate), 13 1/2 x 9 3/8 inches (sheet). Adhesive residue, verso, top edge, else in very good condition. - From "Peter Milton - Complete Etchings 1960...
Category

1960s Peter Milton Art

Materials

Engraving, Etching

Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...
Category

1980s Contemporary Peter Milton Art

Materials

Etching, Engraving

Campo Vio
By Peter Milton
Located in Palm Springs, CA
One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...
Category

2010s Contemporary Peter Milton Art

Materials

Digital Pigment

Under Greylock, Etching by Peter Milton
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...
Category

1990s American Modern Peter Milton Art

Materials

Etching

Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category

Early 2000s Contemporary Peter Milton Art

Materials

Etching, Engraving

Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...
Category

2010s Contemporary Peter Milton Art

Materials

Etching, Engraving

Piazza Di San Marco
By Peter Milton
Located in Palm Springs, CA
One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...
Category

2010s Contemporary Peter Milton Art

Materials

Digital Pigment

The Jolly Corner. A portfolio of 21 etchings.
By Peter Milton
Located in Fairlawn, OH
Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff Signed by the artist in pencil on frontispiece Plate No. II:2; Signed by the artist Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston Edition: 150 References And Exhibitions: A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908 Principal Portfolio Edition Published by Aquarius Press Baltimore, MD Reference: Kneeland McNulty, Peter Milton: Complete Etchings 1960...
Category

1970s Contemporary Peter Milton Art

Materials

Etching

Interiors IV : Hotel Paradise Cafe
By Peter Milton
Located in New York, NY
“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category

Late 20th Century Contemporary Peter Milton Art

Materials

Engraving, Etching

Hidden Cities III : Continuum
By Peter Milton
Located in New York, NY
“HIDDEN CITIES III : CONTINUUM” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is 24 x 37 inches and the paper size 32 x 45 inc...
Category

21st Century and Contemporary Contemporary Peter Milton Art

Materials

Engraving, Etching

Tsunami
By Peter Milton
Located in New York, NY
TSUNAMI is an archival digital print created in 2015. This original print was directly drawn into the computer by Peter Milton and printed digitally. It is signed, titled, and date...
Category

21st Century and Contemporary Contemporary Peter Milton Art

Materials

Digital

Interiors VI: Soundings
By Peter Milton
Located in New York, NY
Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category

Late 20th Century Surrealist Peter Milton Art

Materials

Etching, Engraving

Hidden Cities I / second state
By Peter Milton
Located in New York, NY
“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
Category

21st Century and Contemporary American Realist Peter Milton Art

Materials

Engraving, Etching

Garden with Henry
By Peter Milton
Located in New York, NY
Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category

1990s Realist Peter Milton Art

Materials

Etching, Engraving

After Hours
By Peter Milton
Located in New York, NY
“AFTER HOURS” was created by the contemporary artist Peter Milton in 2019. This graphic depicting a scene outside of the Louvre in Paris was drawn on a spec...
Category

21st Century and Contemporary Realist Peter Milton Art

Materials

Digital

Sight Lines II : The Green Room
By Peter Milton
Located in New York, NY
SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...
Category

21st Century and Contemporary American Realist Peter Milton Art

Materials

Digital

The Oval Portrait
By Peter Milton
Located in Palm Springs, CA
One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...
Category

2010s Contemporary Peter Milton Art

Materials

Digital Pigment

Light Sweet Crude, Etching by Peter Milton
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...
Category

1990s Surrealist Peter Milton Art

Materials

Etching

Giardini Reali
By Peter Milton
Located in Palm Springs, CA
A classic scene of gondola on a Venice canal. One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...
Category

2010s Contemporary Peter Milton Art

Materials

Digital Pigment

Related Items
Thirties Building with Sky, Handmade Cyanotype Print in Blue Tones, Miami Style
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype portrays an iconic building facade from the thirties. Details: + Title: Thirties Building with...
Category

2010s Art Deco Peter Milton Art

Materials

Photographic Film, Emulsion, Watercolor, Archival Paper, Photographic Pa...

Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...
Category

21st Century and Contemporary Contemporary Peter Milton Art

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink

Early Morning
By Will Barnet
Located in Buffalo, NY
A nice rare woodcut by the noted American Artist Will Barnet. This woodcut is from 1939 and is titled and pencil signed on the base "Early Morning", Will...
Category

1930s American Modern Peter Milton Art

Materials

Woodcut, Paper

American Cathedral (The Woolworth Building).
By John Taylor Arms
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category

1920s American Modern Peter Milton Art

Materials

Etching

"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category

1780s Realist Peter Milton Art

Materials

Engraving

Wharf-side
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...
Category

1960s American Modern Peter Milton Art

Materials

Lithograph

Wharf-side
Wharf-side
H 26 in W 20 in D 0.97 in
ICE CREAM DESSERTS
By Claes Oldenburg
Located in Aventura, FL
Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Framed. Edition of 50. Artwor...
Category

1970s Pop Art Peter Milton Art

Materials

Handmade Paper, Aquatint, Etching

ICE CREAM DESSERTS
ICE CREAM DESSERTS
H 22.5 in W 31.25 in D 1 in
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category

Early 20th Century American Modern Peter Milton Art

Materials

Drypoint, Etching

Marchand Courtyard, French Quarter, Old New Orleans (Signed)
Located in New Orleans, LA
A signed etching by the justifiably famous New Orleans French Quarter artist Eugene Loving, in an edition of 200. It depicts in wonderful detail one of ...
Category

Early 20th Century Peter Milton Art

Materials

Etching

Glowing City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...
Category

1960s American Modern Peter Milton Art

Materials

Lithograph

Glowing City
Glowing City
H 16.75 in W 35 in D 0.97 in
Thunderheads
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Thunderheads” in 1972 in an edition of 50 pieces. Published by Associated American Artists and printed by Mourlot Press, Par...
Category

1970s American Modern Peter Milton Art

Materials

Lithograph

Thunderheads
Thunderheads
H 21 in W 28.75 in D 0.97 in
Runway - large format art photograph of iconic airport runway tarmac
By Frank Schott
Located in San Francisco, CA
highly detailed panoramic photograph of pilot's view of airport runway Runway (2006) by Frank Schott 22 x 40 inches (56 x 102cm) signed edition of 25 48 x 87 inches (122 x 221cm...
Category

21st Century and Contemporary Contemporary Peter Milton Art

Materials

Archival Pigment, Photographic Paper, Archival Paper, Giclée

Previously Available Items
Passages III
By Peter Milton
Located in Milford, NH
A fine surrealist limited edition resist-ground etching and engraving by American artist Peter Winslow Milton (b. 1930). Milton was born in Lower Marion, Pennsylvania and is best kno...
Category

1970s Surrealist Peter Milton Art

Materials

Paper, Ink

Passages III
Passages III
H 34.5 in W 46 in D 2.5 in
Garden With Henry
By Peter Milton
Located in Palm Springs, CA
Signed, titled and numbered by the artist,, this print was specially made by Milton to accompany the deluxe edition of Henry James' The Aspern Papers. Peter Milton is one of the mos...
Category

Early 2000s Contemporary Peter Milton Art

Materials

Etching, Engraving

Cubist Abstract
By Peter Milton
Located in Milford, NH
A fine bold cubist abstract oil painting by American artist Peter Winslow Milton (b. 1930). Milton was born in Lower Marion, Pennsylvania and is best known as one of America’s top ti...
Category

20th Century Abstract Geometric Peter Milton Art

Materials

Canvas, Oil

Cubist Abstract
Cubist Abstract
H 36.6 in W 44.5 in D 1 in
Rooftops in Hillside #2
By Peter Milton
Located in Milford, NH
A pleasant impressionist landscape oil painting of rooftops in the hillside by American artist Peter Winslow Milton (b. 1930). Milton was born in Lower Marion, Pennsylvania and is be...
Category

20th Century Abstract Impressionist Peter Milton Art

Materials

Oil, Canvas

Rooftops in Hillside #2
Rooftops in Hillside #2
H 24.5 in W 40.5 in D 1 in
Rooftops in Hillside #1
By Peter Milton
Located in Milford, NH
A pleasant impressionist landscape oil painting of rooftops in the hillside by American artist Peter Winslow Milton (b. 1930). Milton was born in Lower Marion, Pennsylvania and is be...
Category

20th Century Abstract Impressionist Peter Milton Art

Materials

Canvas, Oil

Rooftops in Hillside #1
Rooftops in Hillside #1
H 28.5 in W 44.5 in D 1 in
"October Piece" Poster, Peter Milton At Editions Ltd.
By Peter Milton
Located in Clinton Township, MI
Poster-Peter Milton At Editions Ltd. Indianapolis, Ind. Litho in U.S.A. Measures 26 x 31.25 inches and is unframed. The piece is in Very Good Condition.
Category

1960s Peter Milton Art

Materials

Lithograph

Reclining Woman
By Peter Milton
Located in Milford, NH
A fine cubist unsigned sculpture titled “Reclining Woman” by American artist Peter Winslow Milton (b. 1930). Milton was born in Lower Marion, Pennsylvania and is best known as one of America’s top tier printmakers. The artist commented on the sculpture - “About my 1958 Reclining Woman sculpture...
Category

1950s Cubist Peter Milton Art

Materials

Concrete

Reclining Woman
Reclining Woman
H 19 in W 30 in D 18 in
OCTOBER PIECE
By Peter Milton
Located in Portland, ME
Milton, Peter. OCTOBER PIECE. Johnson & Milton 60. Etching, lift-ground etching, and engraving, 1969. Numbered 50/125, titled, signed and dated, all in pencil. 17 3/4 x 23 7/8 inches...
Category

1960s Peter Milton Art

Materials

Engraving, Etching

Io and Jupiter
By Peter Milton
Located in Palm Springs, CA
Signed, titled and numbered in pencil from the edition of 100. Image of a young nude woman with the sun and breeze entering her room. It refers to the Greek myth about one of Jupite...
Category

Early 2000s Contemporary Peter Milton Art

Materials

Engraving, Etching

Interiors I: Family Reunion
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - ) Title: Interiors I : Family Reunion Year: 1984 Medium: Etching and engraving, signed, numbered, dated, and titl...
Category

1990s American Modern Peter Milton Art

Materials

Engraving, Etching

Under Greylock
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...
Category

1990s American Modern Peter Milton Art

Materials

Etching

Under Greylock
Under Greylock
H 25 in W 21.5 in D 0.1 in
Collecting with Rudi
By Peter Milton
Located in New Orleans, LA
Peter Milton creates a magical landscape with many figures including nudes posing in front of old mansions and trees. Peter Milton (American, b. 1930) Born in Pennsylvania, Milton...
Category

Late 20th Century American Modern Peter Milton Art

Materials

Engraving, Etching

Peter Milton art for sale on 1stDibs.

Find a wide variety of authentic Peter Milton art available for sale on 1stDibs. You can also browse by medium to find art by Peter Milton in etching, engraving, digital print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Peter Milton art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of John Hogan, Michele Zalopany, and Carol Summers. Peter Milton art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $900 and tops out at $17,000, while the average work can sell for $3,300.

Artists Similar to Peter Milton

Recently Viewed

View All